Festivals in honour of the gods were an important part of social, cultural and religious life in the cities of the Roman empire, and performers and athletes were integral to this. Many people in these professions formed guilds and some of these guilds began to take on a more inter-regional flavour with connections between guilds in different places. A good example of this are the guilds of athletes or of performers who began to speak of themselves as “universal” or “worldwide” (οἰκουμένης, from which we get our word “ecumenical”).
The “worldwide” organization of Dionysiac Performers (or Artists), which had branches throughout the empire, was formed from various local associations into a broader organization at least by the reign of Claudius and is especially well-attested from the second century. In this inscription from Nysa (dating about 142 CE) we encounter the Ephesian branch honouring a benefactor who had also had contacts with the Roman branch of the “Worldwide Dionysiac Performers”. This monument also illustrates well the sort of honours that could be granted to prominent benefactors who provided for an association such as this one.
On the proposal of Publius Aelius Pompeianus Paion of Side, Tarsus and Rhodes, winner of many poetry contests, composer of songs and rhapsodist of god Hadrian, theologian of the temples which are in Pergamon, appointed director of contests of the Augustan Pythian games, and by the vote of P. Aelius . . . of Cyzicus, harpist, unexpected winner of the Capitolian games and Olympian games:
Since Aelius Alcibiades is an educated and generous man, excelling in other virtues, providing for a long time continuously — even for twelve years, doing good for the musicians, receiving honor and magnificence together with the association (synodos), and displaying love of honor in many matters both for us and for the common good. Furthermore, since he honored the sacred precinct of the Worldwide Performers at the temple of Rome by donating excellent books, and he granted magnificent gifts of properties, including stabling facilities, from which we reap the continuous, everlasting rent, distributing the rents among ourselves annually on the birthday of god Hadrian. In response, the Performers at Rome reciprocated with favour, voted on other honors for him, appointed him highpriest through all eternity, and thought him worthy to be honored along with the company of the other highpriests by having his name inscribed first on the tablets, because, on the one hand, he adorned the imperishable memory of Hadrian and, on the other, he has made known the highly regarded association through his gifts, with the result that the association participates in magnificent parades and carries out costly religious services during holidays.
Because of these things and for good fortune, the Game-conquering and Crown-winning World Performers associated with Dionysos and emperor Caesar T. Aelius Hadrian Antoninus Augustus Pius and the fellow-contestants whom they met during the quinquennial contests of the great Ephesia games in the greatest and first metropolis of Asia — the city of the Ephesians, twice temple-warden of the Augusti (imperial family as gods) — have passed a resolution that, in addition to the honors decreed to the man, they will vote for a well-balanced favour of exchange by setting up golden images and statues in the holy temples of the emperors in Asia and in Nysa, the emperor-loving homeland of Alcibiades; by inscribing the voted decrees on a stele in the temple of Apollo, as well as in the rest of his public works and throughout all the cities, in order that it may be a good memorial of both Alcibiades’ generosity and his well-received favours; by publicly honoring him with a gold crown in the religious services and libations during the contest; and, by making a public announcement and honoring him during each gathering. It was also resolved that a copy of the decrees will be sent out to his brilliant fatherland, the city of Nysa — by way of the elders Po. Aelius Pompenianus Paion of Side and Tarsus and Rhodes, winner of many poetic contests, composer of songs and rhapsodist of god Hadrian, theologian of the temples which are in Pergamon, appointed director of contests of the Pythian Augustan games, and Aristides son of Aristides Pergaion of Pergamon, incredible poet, and it was resolved that copies of the inscription be sent by an embassy of elders to the greatest emperors and to the association in Rome for the sake of agreement with respect to what the benefactor Alcibiades has done.
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